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Ambient dub was pioneered by King Tubby and other Jamaican sound artists, using DJ-inspired ambient electronics, complete with drop-outs, echo, equalization and psychedelic electronic effects. It featured layering techniques and incorporated elements of world music, deep basslines and harmonic sounds. Other notable artists within the genre include Dreadzone, Higher Intelligence Agency, The Orb, Ott, Loop Guru, Woob and Transglobal Underground. Laurie Spiegel developed the algorithmic musical composition software "Music Mouse" for Macintosh, Amiga, and Atari computers. Musical melodies were first generated by the computer CSIRAC in Australia in 1950. There were newspaper reports from America and England that computers may have played music earlier, but thorough research has debunked these stories as there is no evidence to support the newspaper reports .

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It replaces the current Eurosystem oversight approach for payment instruments and complements the Eurosystem’s oversight of payment systems. The Eurosystem will use the new framework to oversee companies enabling or supporting the use of payment cards, credit transfers, direct debits, e-money transfers and digital payment tokens, including electronic wallets. The PISA framework will also cover crypto-asset-related services, such as the acceptance of crypto-assets by merchants within a card payment scheme and the option to send, receive or pay with crypto-assets via an electronic wallet.

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The challenges and issues of PSCs present for WPT mainly relate to maintaining an inductive [...] Read more. This paper presents an output-based tracking controller for a class of car-like mobile robot subject to slipping and skidding. The slipping and skidding are regarded as external disturbances, and an event-triggered extended state observer (ET-ESO) is utilized to recover the velocities as [...] Read more. Speech Emotion Recognition plays a significant role in the field of Human–Computer Interaction with a wide range of applications.

British Dictionary Definitions For Electronic

The end result is a simple-to-use yet remarkably full-featured machine that’s fun for one person to use and an absolute blast when two people are jamming together. (The pyramid shape is a stroke of genius; hunched over it, it reminds me of playing Battleship as a kid.) The designers have clearly put a lot of thought into the DUO; there are enough parameters to give players real control over the sounds, but not so many that they become intimidating. The circular sequencer and monophonic output—that is, just one note at a time, avoiding clashing dissonance—make it simple to generate ear-pleasing loops, while the controls keep playback dynamic. And the plethora of expansion options (audio out, MIDI in/out, sync in/out) mean that the DUO can easily be incorporated into a growing arsenal of instruments as your kid grows—or, you know, folded into Mom’s or Dad’s home studio of assorted modular gear. The Eurosystem oversight framework for electronic payment instruments, schemes and arrangements includes an assessment methodology and an exemption policy.

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In the United States, electronic music was being created as early as 1939, when John Cage published Imaginary Landscape, No. 1, using two variable-speed turntables, frequency recordings, muted piano, and cymbal, but no electronic means of production. Cage composed five more "Imaginary Landscapes" between 1942 and 1952 , mostly for percussion ensemble, though No. 4 is for twelve radios and No. 5, written in 1952, uses 42 recordings and is to be realized as a magnetic tape. According to Otto Luening, Cage also performed a William Mix at Donaueschingen in 1954, using eight loudspeakers, three years after his alleged collaboration. Williams Mix was a success at the Donaueschingen Festival, where it made a "strong impression". Developments in early recording technology paralleled that of electronic instruments.